Side Character Quest

Nat One are a group of British D&D players, most of whom have been playing together for over 9 years. Curse of Strahd is something DM Jenna has been waiting to run for about two years and now... It's finally happening. Jenna (they/them) is using the Curse of Strahd: Revamped coffin-box edition of CoS, with inspiration and advice pulled from /u/MandyMod Reddit post "Fleshing out Curse of Strahd", ideas from DragnaCarta's Curse of Strahd Reloaded and, of course, portraying the story and NPCs in their own unique way. As an ex-teacher with a First Class degree in English Literature and Creative Writing (and almost a PhD in emotion mechanics in the TRPG), you are guaranteed to feel their passion for the craft of storytelling. Nat One's players also have similar backgrounds, with interests in literature, writing, education, development and emerging narratives. Take a look at the cast below: Cast Rebecca (she/her),  (she/her), playing the female Drow Circle of Stars Druid: Eylirae Val'Aonar. Rebecca is playing the young (70) studious daughter of a Priestess of Lolth, so has grown up wihin the matriarchy of the Underdark and left due to personal differences regarding the treatment of men. Andrew (he/him), playing the male Half-Orc Way of the Ancestral Dragon Monk: Friendly "Wee Scrapper" Tiene. Andrew is intentionally playing an unintentional misogynist who believes that women need protecting and that men are much more capable. Tabitha (she/her), playing the female Human Devotion Paladin of Torm: Lady Arabella Thistlethwaite. Tabitha is playing a noble lady who is the youngest of her siblings and expected to be a soldier when, really, she would love to be a lady of leisure. Lauren (she/her), playing the female Aasimar Order Cleric of the Red Knight: Lucia. Lauren is playing the reincarnation of Tatyana whose soul, in this adaptation, actually managed to get out of Barovia and is brought back in. That's not the only surprising thing about her... NPC-ish Players: Gemma (she/they), playing the male Human Vistani College of Swords Bard: Ravi Kovachi. In this adaptation, Ravi is Madame Eva's grandson; a Vistani Guide who leads the group to Barovia in the first place. Would you trust him? Beth (she/her), a larper since childhood with years of roleplaying and monstering experience, will also be coming in later on as Volenta Popofsky - If you know, you know. These episodes have been edited to remove all the long pauses, rules clarification and off-game speak to create a much more comfortable listening experience. This means the episodes are shorter, clearer and easier to follow. Jenna creates the art, thumbnails and records and edits without the use of generative AI (AI SUCKS!). Nat One do not accept requests for commissioned art, as we prefer the things we create to be created by ourselves. Nat One hopes you have a lovely, cosy little time listening to the horrors that will befall these wonderful characters in the world's most notorious D&D campaign: Curse of Strahd

Thirst of Strahd is a cinematic Dungeons & Dragons actual-play series from Str1ker, presenting a dark, sapphic reimagining of the legendary Curse of Strahdcampaign. Drawn into the mist-shrouded land of Barovia, three adventurers find themselves trapped in a realm of gothic horror, dangerous secrets, restless dead, and a vampire lord whose influence reaches far beyond the walls of Castle Ravenloft. As the party searches for a way forward, every alliance, sacrifice, and decision pulls them deeper into Barovia's mysteries. Blending character-driven roleplay, gothic horror, mystery, emotional storytelling, dark humor, and brutal encounters, Thirst of Strahd approaches tabletop roleplaying like an unfolding dark fantasy series. Its story focuses not only on terrifying monsters and cinematic battles, but also on the relationships, personal struggles, and choices of the characters trying to survive them. New episodes of Thirst of Strahd are released every Wednesday at 8:00 AM Central. Welcome to Barovia. The mists are waiting.

Tale of the Manticore is a hybrid between a dark fantasy audio drama and a solo Dungeons & Dragons RPG. The dice make all the important decisions and, as a writer, my job is to interpret them and tell their story. Part fiction, part game, it’s the story where ”Chaos rolls.” Links taleofthemanticore.com - Official website youtube.com - Youtube channel spotify.com - Spotify feed

Lore Warden is a battle chronicle tool for tabletop wargamers. After a game, players record the essentials: who fought, the forces involved, the score, which units were destroyed and the MVP.Lore Warden writes the engagement up as a piece of prose they can keep, share, and have read aloud. It is deliberately system-agnostic. Faction and unit names are free text and are echoed back exactly as they were typed, so it serves 40k, Age of Sigmar, Necromunda, Mordheim, historicals, BattleTech or a homebrewed ruleset equally. Army lists can be pasted in whole and unit names are picked out automatically, and added/edited manually. There are three ways to use it. A single battle produces one self-contained tale. A tournament tracks rounds, wins, draws, losses and total points, with Swiss pairings and a recap for each round. An eternal war is an ongoing group campaign, where forces evolve over months, eras are marked, retired armies are given a final entry and honours ledger, and the whole thing can be brought to a close with a finale when the group wants an ending. What separates it from pasting a game into a general chatbot is continuity. Lore Warden holds each commander's force and everything that has already happened to it, so a campaign reads as one narrative rather than a series of unconnected write-ups, and it does not invent units that were never on the table. Commanders who would rather write their own account can do that instead and still have it recited. Opponents do not need accounts. A battle can be shared by code or QR for the other player to attach their force, or entered on their behalf as a guest, and every finished tale gets a public page that anyone can read or listen to without signing up.  Written tales are free, thirty of them, for the lifetime of the account, along with one spoken recital. A subscription lifts the written cap and adds a monthly allowance of spoken recitals.

The first episode of our first campaign using this new RPG system. How long can the characters survive in this brutal game? The party starts off in cryo-sleep, back in 2010, just a month after the outbreak began. This new experimental technology, developed by Peter Wayland, was designed to put people with terminal diseases to sleep until a cure was found. Little did they know that they would awaken in a world overrun by the undead

Saga Voices is a web and Android app for Game Masters who build and run interactive audio scenarios at the table. Design a branching story on a visual canvas, attach narration, and play it live as the party makes choices.  With support for D&D, Call of Cthulhu, and Daggerheart.